‘[Elwes’s] writing really brings the films to life in their absence. It made me intrigued about the films but the book also stands alone and apart from them, vividly offering images that the reader puts together from the text. It adds other dimensions to the films that are enough even if one were to never see the works themselves – as a piece of writing conjuring a rich critical dimension.’
‘Drawing on her lifetime’s work as an artist, a scholar, and an arts administrator, Catherine Elwes’s new book is magnificent. The book’s global reach (from Uluru to the Arctic), the erosion of white male colonial and pectatorial privilege entailed in her expanded geographical perspectives, and her contextualization of all questions of landscape in political issues together mark a decisive and much-needed scholarly paradigm shift, one at last responsive to our present ecological disasters.’
‘Moving images are now everywhere in galleries and art biennials, and ecology is no longer a niche theme. Drawing on decades of making and writing about film and video, Elwes offers more than a guided tour. She offers encounters with the art, ideas and artists of the Anthropocene, and invites readers into rich conversations about and between feminism, decolonial critique and environmentalism with eloquence, passion and wit. You will never see landscape art the same way again.’
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